![]() ![]() The development section becomes quite manic, and the sense of perilous velocity proves equally compelling. The sense of head-long rush to emotional catastrophe assumes momentum and then a thankful lyricism in the midst of dire premonitions, what the composer called “the sword of Damocles.” The ensuing waltz motif enjoys Rodzinski’s tugs and ritards with a suave response from the NBC strings. 2 January 1939) opens forcefully, the NBC trumpet fanfare and ensuing low stings and winds in fine resonance. After Rodzinski’s initial concert with the orchestra, 2 November 1937, he would lead ten more programs before setting down his first shellac recordings featured in Obert-Thorn’s remasterings. It was Arturo Toscanini, having heard Rodzinski perform in 1936 Salzburg, who asked Rodzinski to train a burgeoning ensemble that would become the Maestro’s own NBC Symphony Orchestra. Recording producer and audio engineer Mark Obert-Thorn turns to the work of Polish conductor Artur Rodzinski (1892-1958) in studio recordings made 1939-1941. 82 – NBC Symphony Orchestra (Tchaikovsky, Franck)/Cleveland Orchestra – Pristine Audio PASC 619 (2 CDs) 79:44 62:49 [*****: 49 FRANCK: Symphony in D Minor SIBELIUS: Symphony No. 36 Romeo and Juliet – Fantasy Overture 1812 Overture, Op. Artur Rodzinski Early Recordings = TCHAIKOVSKY: Symphony No. ![]()
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